Is We Still Kill the Old Way Worth Watching? Honest Movie Review & Audience Verdict (1967)

The Narrative Arc & Core Premise

Debuting in 1967, We Still Kill the Old Way represents a sophisticated intersection of artistic ambition and genre-defining elements within the Mystery, Drama, Crime category. The primary thematic concern of the film is an investigation into A leftist professor wants the truth about two men killed during a hunting party; but the mafia, the Church and corrupt politicians don't want him to learn it. As the story unfolds, we are introduced to a world where the traditional boundaries of Mystery, Drama, Crime are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A leftist professor wants the truth about two men killed during a hunting party; but the mafia, the Church and corrupt politicians don't want him to learn it."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Gian Maria Volonté, delivers a professional and engaging performance that satisfies the requirements of the Mystery, Drama, Crime genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.

The direction by Elio Petri is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 99 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is We Still Kill the Old Way truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Mystery, Drama, Crime, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.6/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, We Still Kill the Old Way explores the dichotomy of truth and perception. The 1967 audience is increasingly sophisticated, and Elio Petri respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, We Still Kill the Old Way serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Gian Maria Volonté or the critical acclaim surrounding its release, We Still Kill the Old Way is a film that demands to be seen on the largest screen possible.