RATING★ 5.2
WORTH IT? MAYBE
We Used to Be Cool backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for We Used to Be Cool.

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WORTH WATCHING: MIXED
Editorial Verified

Is We Used to Be Cool Worth Watching? Honest Movie Review & Audience Verdict (2016)

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

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✨ The Quick Verdict

ONE-TIME WATCH

If you are a fan of Comedy cinema, then We Used to Be Cool offers a standard experience that justifies its existence in the 2016 landscape.

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👥 Target Audience

Fans of Comedy films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

We Used to Be Cool, a standout production of 2016, meticulously weaves its narrative threads through the Comedy landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Three couples in Vienna have children at around the same time. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Vicky Krieps ensure that the emotional beats of We Used to Be Cool always land with sufficient weight. Vicky Krieps provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Marie Kreutzer is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 96 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is We Used to Be Cool truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, We Used to Be Cool explores the dichotomy of truth and perception. The 2016 audience is increasingly sophisticated, and Marie Kreutzer respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, We Used to Be Cool is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Vicky Krieps or the critical acclaim surrounding its release, We Used to Be Cool is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

96MIN

At approximately 1.6 hours, the film requires a standard time commitment.

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