
Is What Are We Doing Here? Worth Watching? Honest Movie Review & Audience Verdict (2014)
Long-time friends Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s, the age when anything is possible. They are just embarking on their careers. Then one fine summer day, Yan is involved in a fatal car accident. The young man is killed instantly and the rest of the gang is thrown into turmoil.
✨ The Quick Verdict
If you are a fan of Drama, Romance cinema, then What Are We Doing Here? offers a standard experience that justifies its existence in the 2014 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama, Romance cinema, the 2014 release of What Are We Doing Here? stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Long-time friends Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s, the age when anything is possible. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Romance are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Long-time friends Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s, the age when anything is possible. They are just embarking on their careers. Then one fine summer day, Yan is involved in a fatal car accident. The young man is killed instantly and the rest of the gang is thrown into turmoil."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Sophie Desmarais, delivers a professional and engaging performance that satisfies the requirements of the Drama, Romance genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.
The direction by Julie Hivon is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 98 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is What Are We Doing Here? truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Romance, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, What Are We Doing Here? explores the dichotomy of truth and perception. The 2014 audience is increasingly sophisticated, and Julie Hivon respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, What Are We Doing Here? is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Sophie Desmarais or the critical acclaim surrounding its release, What Are We Doing Here? is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.