RATING★ TBA
WORTH IT? NO
What Is the Word – backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for What Is the Word –.

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WORTH WATCHING: MIXED
Editorial Verified

Is What Is the Word – Worth Watching? Honest Movie Review & Audience Verdict (2013)

A poetic film based on Samuel Beckett's poem "Comment dire - What Is the Word". A young woman travels to her boyfriend to confess her love.

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✨ The Quick Verdict

SKIP IT

If you are a fan of cinema, then What Is the Word – offers a standard experience that justifies its existence in the 2013 landscape.

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👥 Target Audience

casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Modern Cinema cinema, the 2013 release of What Is the Word – stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into A poetic film based on Samuel Beckett's poem "Comment dire - What Is the Word". As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A poetic film based on Samuel Beckett's poem "Comment dire - What Is the Word". A young woman travels to her boyfriend to confess her love."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Pekka Kumpulainen provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.

The direction by Hannaleena Hauru is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 5 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is What Is the Word – truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, What Is the Word – explores the dichotomy of truth and perception. The 2013 audience is increasingly sophisticated, and Hannaleena Hauru respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, What Is the Word – is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Pekka Kumpulainen or the critical acclaim surrounding its release, What Is the Word – is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

5MIN

At approximately 0.1 hours, the film requires a standard time commitment.

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