
Is Who Should Live in Russia Worth Watching? Honest Movie Review & Audience Verdict (1989)
After the war ended, Bachurin returned home with awards, where his family and a huge garden, which he had loved since childhood, were waiting for him. But a decree was issued on the taxation of fruit trees in private estates. And Bachurin ruined the garden, scalding the apple trees with boiling water. So he got his first big term ...
✨ The Quick Verdict
If you are a fan of Drama, Crime cinema, then Who Should Live in Russia offers a standard experience that justifies its existence in the 1989 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1989, Who Should Live in Russia represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama, Crime category. The primary thematic concern of the film is an investigation into After the war ended, Bachurin returned home with awards, where his family and a huge garden, which he had loved since childhood, were waiting for him. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Crime are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "After the war ended, Bachurin returned home with awards, where his family and a huge garden, which he had loved since childhood, were waiting for him. But a decree was issued on the taxation of fruit trees in private estates. And Bachurin ruined the garden, scalding the apple trees with boiling water. So he got his first big term ..."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Aleksei Buldakov does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Mikhail Vedyshev is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 142 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Who Should Live in Russia truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Crime, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Who Should Live in Russia explores the dichotomy of truth and perception. The 1989 audience is increasingly sophisticated, and Mikhail Vedyshev respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Who Should Live in Russia is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Aleksei Buldakov or the critical acclaim surrounding its release, Who Should Live in Russia is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 2.4 hours, the film requires a significant time commitment.