Profit & Loss Analysis

Is Wrong Is Right Worth Watching? Honest Movie Review & Audience Verdict (1982)
Political double-talk, dirty tricks, hidden microphones, spy satellites, bugging the Oval Office and a nuclear bomb for sale are all ingredients in this swift, funny and frightenin...
✨ The Quick Verdict
If you are a fan of Comedy, Drama cinema, then Wrong Is Right offers a standard experience that justifies its existence in the 1982 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Comedy, Drama cinema, the 1982 release of Wrong Is Right stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Political double-talk, dirty tricks, hidden microphones, spy satellites, bugging the Oval Office and a nuclear bomb for sale are all ingredients in this swift, funny and frightening look at the possibilities in today's political arenas. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Political double-talk, dirty tricks, hidden microphones, spy satellites, bugging the Oval Office and a nuclear bomb for sale are all ingredients in this swift, funny and frightening look at the possibilities in today's political arenas. Sean Connery stars as TV Newsman Patrick Hale on an international chase to track two suitcase sized nuclear weapons and to uncover the twisting maze of apparent involvement of US Government agencies."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Sean Connery, delivers a professional and engaging performance that satisfies the requirements of the Comedy, Drama genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.
The direction by Richard Brooks is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 117 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Wrong Is Right truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Wrong Is Right explores the dichotomy of truth and perception. The 1982 audience is increasingly sophisticated, and Richard Brooks respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Wrong Is Right serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Sean Connery or the critical acclaim surrounding its release, Wrong Is Right is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 2.0 hours, the film requires a standard time commitment.