
Is Yes, But... Worth Watching? Honest Movie Review & Audience Verdict (2001)
At age 17, Eglantine is troubled by a number of things. Her argumentative parents comprise an absentee and philandering father and an overprotective, occasionally alcoholic mother. Her boyfriend Sébastien is a couple of years older; he's ready, but she isn't. Frequent furtive visits to her therapist help her to see that these issues are not 'problems', but 'difficulties', which she has the strength to overcome.
✨ The Quick Verdict
If you are a fan of Romance, Comedy, Drama, Family cinema, then Yes, But... offers a standard experience that justifies its existence in the 2001 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2001, Yes, But... represents a sophisticated intersection of artistic ambition and genre-defining elements within the Romance, Comedy, Drama, Family category. The primary thematic concern of the film is an investigation into At age 17, Eglantine is troubled by a number of things. As the story unfolds, we are introduced to a world where the traditional boundaries of Romance, Comedy, Drama, Family are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "At age 17, Eglantine is troubled by a number of things. Her argumentative parents comprise an absentee and philandering father and an overprotective, occasionally alcoholic mother. Her boyfriend Sébastien is a couple of years older; he's ready, but she isn't. Frequent furtive visits to her therapist help her to see that these issues are not 'problems', but 'difficulties', which she has the strength to overcome."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Yes, But..., we see Émilie Dequenne utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Yves Lavandier is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 104 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Yes, But... truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Romance, Comedy, Drama, Family, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Yes, But... explores the dichotomy of truth and perception. The 2001 audience is increasingly sophisticated, and Yves Lavandier respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Yes, But... serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Émilie Dequenne or the critical acclaim surrounding its release, Yes, But... is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.7 hours, the film requires a standard time commitment.